Hollywood: Culprit in the Anti Science War

I don’t usually buy the excuse, “the movies made them bad”,” the music made them kill”.   I do make one exception for Hollywood.   Hollywood has put America on a steady diet of fantasy, monsters, super heroes and crypto religion so that they can sell the super duper special effects.  In the end, we get subtle and not so subtle messages that are a steady anti-science stream.

Look, I am no spoil sport, I love to play and imagine, but take for example the movie I watched yesterday while ironing.  Yes, I iron.  Knowing, with big star Nicholas Cage.  A movie where even Roger Ebert, called the best “science fiction he has seen”.

This is the set-up: 1950’s school puts a time capsule to be opened fifty years later.  All the children are to write notes to the future, one strange little girl, the nerdy child, does some strange numerical gibberish writing.  Jump to the future, Nicholas Cage, recently widowed, MIT astrophysicist, raising his so clever nerdy son.  At the opening of the capsule, the son gets the note.  Cage, after the son is asleep, figures out what the numbers mean.  They are a prediction of all the major global disasters.

Yes, you guessed it, 9/11 was the key clue.  Cage as a physicist, doubts the whole notion of intent, heaven etc, but pretends for his son’s sake.  To make a short story long, in time he realizes that this note predicts the end of the world.  But you see, there are these “creatures” aka “angels” who are talking to the children who were open to the prophecy.  Cages’s father is a minister.  In the end, the angels save the children, the two white children and two white bunnies, to recreate the world after it is burned to a crisp.

Movie after movie, the scientist proves to be a fool.  The religious fantasy is really the truth. The prophecy  attributed to the child in the fifties is straight Book of Revelations stuff, from Ezekiel in the Old Testament.   Mr. Ebert, with all due respect,  this is no science fiction, this is religious messaging.

The title “Knowing”, of course, the only ones who know are the ones who believe.  Then we wonder why Americans doubt science and scientist.  Their politicians and their loved art forms always portray them as fools.  Fools who don’t have faith in the super natural.  Fools who are wrong.  The ones who are always right in the movies who sell us loud sounds and phantasmic imagery, are the “believers”.

Subliminal messaging of the rapture for profit is reprehensible.  Yes, there is a Rapture industry of movies and books, but when it seeps into our culture and even critics like Roger Ebert do not call it what it is, no wonder they dominate the culture wars.  Who said Hollywood is their enemy?  Hollywood, if there is money to be made, will sell you and me anything.

In the end, Cage the scientist, like Ezekiel, goes back to the bosom of his father, the preacher.  Together they wait for the rapture, knowing his seed has gone off into a spaceship, with a little girl, running through a field towards a tree.  A tree reminiscent once again of the root of original sin.  They showed various spaceships leaving Earth, but they only focused on the two white children.

So, when the American voter doubts climate change, evolution and other scientific findings, it’s because he has a steady diet of scientists, for Pete’s sake, even MIT astrophysicists, who are proven wrong in these story lines.  Time after time, Hollywood tells us, the winners are those who believe in pixie dust, angels, monsters, vampires, gnomes, devils, gods and demigods, salvation, damnation, you name it.

Science fiction is a genre that I used to enjoy.  Religious narrative invades our popular culture and science is sidetracked.  Scientists are fools because they don’t believe.


One thought on “Hollywood: Culprit in the Anti Science War

  1. My new favourite quote:

    “I don’t have a problem with people enjoying sci-fi, but church isn’t the place to encourage escapism and fancy dress,” Mentone Baptist minister Murray Campbell said.

    It’s good to laugh…

    Anyways: David Brin had an interesting take on the difference between sci-fi and fantasy the other day. Key point:

    “For all the courage and heroism shown by fantasy characters across 4000 years of great, compelling dramas — NOTHING EVER CHANGES! Aragorn may be a better king than Sauron would have been. Hurray. Fine. But he’s still a freaking king. And the palantir on his desk that lets him see faraway places and converse with viceroys across the realm is still reserved for the super elite. No way are we going to see mass-produced palantirs appearing on every peasant’s tabletop from Rohan to the Shire. It never even occurs to Aragorn or Gandalf to give the poor the godlike powers they themselves get to wield… let alone give them newspapers, running water, printing presses or the germ theory of disease. Only little Peregrin Took seems to get a glimmer of an idea in that direction. The only character who briefly ponders possibilities, and he’s soon bullied out of it.

    Fantasy has its attractions. Something about feudalism resonates, deep inside us. We fantacize about being the king or wizard. Heck it’s in our genes. We are all descended from the harems of the guys who succeeded at that goal. The core thing about fantasy tales is that, after the adventure is done and the bad guys are defeated… the social order stays the same.

    It may be the natural genre… but should we be proud of that?

    Science fiction, in sharp contrast, considers the possibility of learning and change.”

    Which is why, as I’ve said for years, Star Wars is not sci-fi, but fantasy. In the end, the princess and the wizards rule, as they always did.

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